Tumblr, we know you’ve been fighting valiantly to restore net neutrality. Whether you added widgets to your Tumblrs, or reblogged posts to spread the word to your followers, or contacted your reps asking them to keep the internet free and open as we know it—you’re helping. You’re doing it. Let’s keep that momentum up.
BattleForTheNet.com (@fight4future) is letting Congress know that the internet is keeping score of every Congressperson who is and is not supporting the restoration of net neutrality.
Right now you can visit that scoreboard and easily look up whether or not your reps support the Congressional Review Act resolution.
This CRA will restore the net neutrality rules the FCC dismantled back in November 2017. They have 177 signatures, but need 44 more. You can help make that happen. This grassroots effort is working. Just two days ago Rep. Mike Coffman listened to his constituents from Colorado and became the first Republican to support the Democrat-led CRA. Keep putting that same pressure on your congresspeople. Urge them to sign the petition. If your congressperson has already pledged to support the CRA, reblog this post, add the new widget to your Tumblr (just copy and paste the small line of code from Battle For The Net right into the customize theme page on the web), and shout out what’s happening on all of your social media accounts. We have to spread the word.
Keep going, Tumblr. This matters, and you’re making a marked difference.
Here’s a cool trick to see if a man actually respects you: try disagreeing with him
A friend of mine did something with online dating where, before meeting a person, she’d say no to something minor without a reason for the no. For example: “No, I don’t want to meet at a coffee shop, how about X?”, or “No, not Wednesday”, or “No, I don’t want to recognize each other by both wearing green shirts”. She said how the potential dates reacted was a huge indicator of whether she actually wanted to meet them, something I readily believe.
I’ve mentioned this to a few people and sometimes I get very annoyed and incredulous responses from guys about how are they supposed to know that it’s a test if the girl is being unreasonable? How are they supposed to know that and let her have her way? I find it difficult to explain that if you find it unreasonable for someone to have a preference of no consequence which they don’t feel the need to explain, then you are the one being unreasonable. You can decide for yourself that it sounds flaky and you don’t want to date her, but you don’t have a right to know and approve all of her reasons for things in order to deign to respect that she said no about it. Especially in the case of someone you haven’t even fucking met yet.
The point isn’t to know it’s a test, the point is that if you would only say “yes” if you knew it was a test, then what if it’s not a test, but because she hates coffee shops, or because she’s attending a funeral Wednesday and doesn’t know you well enough to want to share that, or whatever else? Because if you’re making rules for when other people can have preferences and not explain why… yeah, that is a thing they can reasonably want to avoid.
@ all the angry dudes in the replies: the point is not to trick or manipulate men. The point is to see how a potential romantic partner reacts to a minor inconvenience. If they say, “oh, ok, would seven work instead?” or “well there’s this Armenian tea house I’ve been meaning to try out, want to go there?” then that’s a good sign that they’re safe to date. If they throw a fit and/or demand to know every little detail about your rationale over something as simple as rescheduling dinner plans, that’s a bad sign. A really bad sign.
It’s like this, dudes. Women in Western society are socialised to cooperate and compromise. Some men are socialised to get all their own way, all the time. These dudes are incredibly dangerous to women their partners,* and the only way to tell them apart from the OK guys is to pay close attention to how they react. If you’re one of the OK ones, this isn’t about you. Learn to take “no” for an answer, and you’ll be fine.
*Updated to reflect the fact that abusive men can target any gender, and the fact that I used this screening tactic to good effect during my Big Gay Slut phase.
i was drawing callie once and put on her agent shades but I felt that she most likely would be horrified to put them on so I took them off of her and then i had the idea for this
Dude, I got the same person (with different username of course) and had a whole freaking conversation with them before I blocked them and only after I had seen this with the exact same messages I got, did I realize,
if you’re offline or away and i message you something (like a link to a meme or a picture or w/e) honestly just assume that i’m just leaving it there for when you get back and not expecting you to answer straight away. i don’t need you to respond with “hey, sorry, i wasn’t at the computer!” or anything. i was leaving u a gift for later.
This also applies if you’re online and just don’t want to or have the energy to deal with humans in the moment. Just because we have the ability to reply in real time does not mean we have the obligation.
im not even an artist and these prices are hurting my feelings
This is what I have to dig through every time I look for new jobs to apply for.
For non-artists, let’s give you a little perspective.
For me, an illustration takes a bare minimum of 6 hours. Mind you, that’s JUST the drawing part. Not the research, or the communications, or gathering information. Just drawing.
That’s if it’s a simple illustration.
My art deco or more detailed stuff can take 20+ hours each.
Even simple, cartoony things still take at least 3 hours.
Let’s go with the second one. 2 illustrations for $25. Figuring 6 hours each. 12 hours total, for JUST the drawings. That’s approximately $2.08/hour.
Asking these prices is an insult. But what’s even more hurtful is there are people out there that will take these jobs. Which only encourages rates like this to be acceptable. And there are people who will try to say these are just what you have to do to get started.
I believed that. So my first coloring gigs were just $10/page. The day someone offered me $25/page for just flatting work, I realized just how wrong I’d been. I’m still not making the rates I’d like, but now I refuse anything below $25/page. Because there is value in my time.
In any standardized industry, even ones that pay piece rate over hourly, these numbers are criminal.
Do your fellow artists a favor. Never accept jobs like these. There are others that pay legitimate rates. Or at least closer to legitimate.
Such baby bullshit. Don’t even get out of bed for these rates.
If you are an artist who wants to make money off their art, I highly suggest you buy The Graphic Artist’s Guild Handbook. It goes in depth about copyright issues and even contains contract and model release templates. The 2013 book *I believe* states the average professional charges $72 an hour. This article calculated that to make a 40k annual salary you would need to charge about $60 per hour.
After graduating from Art Center in 2012, I think I asked for somewhere between $35-45 an hour and got laughed at by multiple big name clients, which was infuriating, sadly expected, and terrifying with over $100K worth of student loans staring me in the face. If they tell you it will be “great exposure” that’s a red flag. Ask yourself how their exposure can compare to your Tumblr, Twitter, Instagram, Pinterest, Flickr and Facebook pages combined?
And when you do get a decent paying gig, PROTECT YOURSELF. You have the right to negotiate and revise a contract. Do not start a job until you have a contract signed. If they don’t provide you with one, MAKE ONE. And make sure you have your bases covered. You can specify in a contract that maybe two revisions are included in your cost, and if they ask you to revise the piece more than twice, they will have to pay extra. In terms of payment schedule, I usually do the 50/50 Method (50% before, 50% after) or the 3/3/3 Method (1/3 before, 1/3 in the middle, 1/3 after all work has been received). Both of those are pretty standard in the industry, as they guarantee you will get compensated for your time, even if the job goes bad.
Remember you have a skill, and you have spent time honing that skill and you deserve to be adequately paid for that time and effort. You will have clients dismiss you because, honest to God they think, “Well, I could do that if I wanted. Hell, my five year old does it now.” No they can’t, because they didn’t, they don’t, they won’t and they probably never will. And good luck hiring a five year old. They can’t keep a fucking deadline.
And in a last ditch effort they’ll say, “But that drawing only took you an hour!” Son, that drawing took me 20. fucking. years.
10 Dollars for 1 minute of animation. Oh my god my heart. It took my team 6 months and a team of 12 to make a 4 minute short.
I second this book! I’ve had it for several years now, and it’s been a HUGE help in my work as a freelance artist. It gives great advice on what to charge for different areas of art!
Please remember. Your art is worth a respectable payment! Accepting ridiculously low prices actually hurts the arts/illustration/animation communities because it makes employers believe they can employ people without offering decent pay.
Check the internet if you need help figuring out what you should be charging for your commissions. Invest in the books that will inform you professionally, and put your foot down if you think someone is trying to cheat you out of your time and hard work. You have a right to refuse a job, and/or request decent payment. If your employer denies a you decent pay, well then they’re probably not a very good employer. Do not undersell your skills. it is bad for the art community and you are worth more then that.
GhostKitten's shitpost pile 